I call this work Sketchbook Ceramics for it is a blend of three dimensional forms that are treated with the same sort of energy my sketchbook holds. I am applying underglaze on these forms to relate back to my painted work. The work is also suppose to be functionless, like artifact pieces we might find 200 years to thousands of years ago wondering what their use was. At times they feel like broken pieces of a larger piece or something that beholds a story that is familiar and forgotten all at once.
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